Rightwing Film Geek

My Toronto schedule

If it’s Labor Day weekend, this must be Canada. But first let me rant.

I went this year with the online ticket ordering, and I doubt I’ll do it again if I come back (which is by no means a certainty) because of an idiotic cockup in how it handles second choices. They apparently just assign them by priority without regard for time, which resulted in my getting more than one ticket for several time slots in the first few days. In addition, there’s several films I want to see but didn’t even try for — Refn’s DRIVE, Ramsey’s WE NEED TO TALK ABOUT KEVIN and Almodovar’s THE SKIN I LIVE IN — because there was only one true public screening thanks to the festival’s loading up on $40-a-ticket “Premium Screenings” that my $700-upfront-for-50-films pass can’t even be used for at all. Do Canadians really call America “the land of bilk and money”? If so, here’s a good ol’ American Bronx cheer at’cha 8-d…… Another discouraging two-year trend has been the increasing dearth of weekday daytime screenings (and near-absence of morning ones) in favor of more at night and on weekends. I realize these times were “somewhat” less attended than others, but in 10 years and more than 400 films at Toronto, regardless of the time of day, I have never seen the kind of three-folks-per-row theaters that commercial multiplexes would still consider good business four days a week, minimum. And probably a majority of the films, even during work hours, have been packed.

Yeah, yeah … first-world problems, I know. And if I ever bitch about the Wi-Fi like Jeffrey Wells, just go ahead and shoot me. But I’ve always told non-cinephile friends that I go to Toronto every year because is the best film-festival in the world for ordinary folks, i.e., people without press badges or jobs in the industry. Obviously there’s the red-carpet juried affairs in Cannes and Venice, but those fests are not open to the general public, at least as far as actually seeing the films is concerned (as red-carpet props, we serfs are fine, apparently). That had never been the case with Toronto, which was round-the-clock awesomeness (plus a Godard show or two #ducks) open to everybody. When presenting ANOTHER YEAR in 2009, Mike Leigh said he loves to bring his films there because “it’s a people’s festival.” Every year for the last several, it has become increasingly less so.

OK … rant over. Here is my schedule, which is more in flux than usual thanks to the scheduling woes. Here’s the weird coding: a film title underlined means I’m gonna try to exchange or buy a ticket at the box office; a film title in italics means I plan to get into the rush line for last-minute tickets just before the screening; two consecutive films marked with an asterisk means I have tickets for both but they effectively play at the same time. In the last case, I now plan to see the first-named time but that may change depending on buzz. Strange that the only day I know I’m gonna see six films is the usually light first day (thanks to a 4 1/2-hour German project that consists of three narratively interlocking 90-minute films by different directors). Wait … three films for the price of one? Maybe TIFF isn’t so bad after all.

Thu, 8 Sept
noon DREILEBEN Jackman Hall
— “Beats Being Dead” (Christian Petzold, Germany)
— “Don’t Follow Me Around” (Dominik Graf, Germany)
— “One Minute of Darkness” (Christoph Hochhäusler, Germany)
600pm INTO THE ABYSS (Werner Herzog, USA) Ryerson Theatre
945pm THIS IS NOT A FILM (Jafar Panahi, Iran) Lightbox 3
midnight THE RAID (Gareth Evans, Indonesia) Ryerson Theatre

Fri, 9 Sept
200pm PLAY (Ruben Ostlund, Sweden) AMC 4
530pm BEAUTY (Oliver Hermanus, South Africa) AMC 2
530pm KEYHOLE (Guy Maddin, Canada) Lightbox 1
* 815pm GOOD BYE (Mohammed Rasoulof, Iran) AMC 6
* 930pm CHICKEN WITH PLUMS (Marjane Satrapi and Vincent Perronaud, France) Isabel Bader Theatre
midnight GOD BLESS AMERICA (Bobcat Goldthwait, USA) Ryerson Theatre

Sat, 10 Sept
1000am THE ARTIST (Michel Hazanavicius, France) Lightbox 2
100pm A MONSTER IN PARIS (Bibo Bergeron, France) Lightbox 2
300pm GOON (Michael Dowse, Canada) Ryerson Theatre
400pm A SEPARATION (Asghar Farhadi, Iran) Lightbox 3
* 645pm AZHAGARSAMY’S HORSE (Suseendran, India) AMC 3
* 615pm MONSTERS CLUB (Toshiaki Toyoda, Japan) AMC 2
915pm BUNOHAN (Dain Said, Malaysia) AMC 2

Sun, 11 Sept
1230pm THE DESCENDANTS (Alexander Payne, USA) Winter Garden Theatre
300pm MARTHA MARCY MAY MARLENE (Sean Durkin, USA) Ryerson Theatre
600pm IN DARKNESS (Agnieska Holland, Poland) Elgin Theatre
915pm MISS BALA (Gerardo Naranjo, Mexico) Scotiabank 4
midnight LIVID (Julien Maury and Alexandre Bustillo, France) Ryerson Theatre

Mon, 12 Sept
1100am RAMPART (Oren Moverman, USA) Elgin Theatre
200pm TWIXT (Francis Coppola, USA) Scotiabank 13 2
515pm FOOTNOTE (Joseph Cedar, Israel) Lightbox 2
930pm AMONG US (Marco Van Geffen, Holland) AMC 5

Tue, 13 Sept
900am THE LONELIEST PLANET (Julia Loktev, USA) Lightbox 1
1215pm YOUR SISTER’S SISTER (Lynn Shelton, USA) Lightbox 1
315pm SHAME (Steve McQueen, Britain) Lightbox 1
615pm ONCE UPON A TIME IN ANATOLIA (Nuri Bilge Ceylan, Turkey) Lightbox 1
915pm A BETTER LIFE (Cedric Kahn, France) Lightbox 1

Wed, 14 Sept
915am DAMSELS IN DISTRESS (Whit Stillman, USA) Scotiabank 4
1215pm THE MOTH DIARIES (Mary Harron, Canada) Scotiabank 4
300pm ALPS (Yorgos Lanthimos, Greece) Lightbox 2
730pm MICHAEL (Markus Schleinzer, Austria) Lightbox 2
930pm SLEEPING BEAUTY (Julia Leigh, Australia) Lightbox 1

Thu, 15 Sept
945am INVASION (Hugo Santiago, Argentina, 1969) Lightbox 2
230pm TRESPASS (Joel Schumacher, USA) Elgin Theatre
545pm THE LAST CRISTEROS (Matias Meyer, Mexico) AMC 3
745pm THE KID WITH A BIKE (Jean-Pierre and Luc Dardenne, Belgium) Isabel Bader Theatre

Fri, 16 Sept
930am OUTSIDE SATAN (Bruno Dumont, France) Lightbox 2
1145am HABEMUS PAPAM (Nani Moretti, Italy) Scotiabank 3
215pm LAS ACACIAS (Pablo Giorgelli, Argentina) AMC 2
600pm TYRANNOSAUR (Paddy Considine, Britain) Elgin Theatre
830pm THE OTHER SIDE OF SLEEP (Rebecca Daly, Ireland) Jackman Hall
midnight SMUGGLER (Katsuhito Ishii, Japan) Ryerson Theatre

Sat, 17 Sept
930am CORIOLANUS (Ralph Fiennes, Britain) Scotiabank 3
245pm MELANCHOLIA (Lars Von Trier, Denmark) Ryerson Theatre
615pm THE DEEP BLUE SEA (Terence Davies, Britain) Lightbox 1
900pm KILLER JOE (William Friedkin, USA) Elgin Theatre

Sun, 18 Sept
1230pm THE TURIN HORSE (Bela Tarr, Hungary) Lightbox 3
315pm THE FORGIVENESS OF BLOOD (Joshua Marston, USA/Albania) Lightbox 2
600pm GOODBYE FIRST LOVE (Mia Hansen-Love, France) Scotiabank 1
915pm THE LAST GLADIATORS (Alex Gibney, USA) Scotiabank 4

September 1, 2011 Posted by | TIFF 2011 | 6 Comments