This trailer for 4 MONTHS, 3 WEEKS AND 2 DAYS, which opened Friday in New York and expands at least to Washington this Friday is really one of the most expert ones I have seen in a long time. (I saw it at THE SAVAGES last weekend.)
It’s incredibly effective at selling the movie, without simply aping the movie (in fact, stylistically, it’s nothing like Mungiu’s film). The short shots, the sharp cuts, the sudden blackouts, the flash edits, the constant motion of both the camera and the things within the frame (amped up by the shortness of the shots) and the “zzzzmmmmppppp” sound effect really wind you up for a tension-filled thriller — what the film is, in many respects. But the trailer does this in the only way you can in 2 minutes. And then there’s hose musical thumps on the soundtrack that you realize eventually become … the sound of a heartbeat.
I’ll try to have something to say in the next few days about some of the reviews I’ve read. But in the meantime, here’s what I wrote back in September about 4 MONTHS, which I thoroughly recommend and would be perfectly happy to see atop my 10 Best list this time next year. (I see that Peter Chattaway and Steve Greydanus agree with me, so this isn’t a case of “Victor’s iconoclastic tastes setting him apart from other Christians.” Can there be a better recommendation for an abortion movie than that the Academy snubbed it for Best Foreign Film?)