Welcome to the blogosphere
While I was struggling with this site, I got a note from Martin Harold, an adjunct film professor at John Paul the Great Catholic University (vjm cheers) and a self-described “big fan of [my] work” (vjm gulps), telling me had started a blog. When I restarted, I added him to my blogroll at the right, and here is his site. Some recent items of interest:
– We have different takes with respect to morally dubious acts in movies — I think anything is, in principle, legitimate subject matter. Mr. Harold not so much. I think our disagreement is in his statement: “a sensual aesthetic never reaches its audience on an intellectual level,” which I would amend to “a sensual aesthetic never reaches a sensualist audience on an intellectual level.”
The latter statement is obvious but it underlines that it really matters who your audience is (though in current times, this leads me “practically” to a cultural-political stance probably indistinguishable from his). But I’ve seen unfaked sex in “legitimate” movies and never once been tempted by it — almost always I’ve been repulsed by it, and rarely that I recall to good effect in the context of the work.
– He mentions finding out late about the Fox Faith¹ division and going to the site and being … underwhelmed. His grounds are similar, as noted in his Combox, to Barbara Nicolosi’s glorious rant against not just Fox Faith but also FACING THE GIANTS (“Adult Evangelical Christians watching Facing the Giants is like sex addicts watching the Spice Channel”). Mr. Harold sez:
Apparently the label’s definition of “faith” encompasses anything considered bland and inoffensive like Garfield cartoons and Strawberry Shortcake: Adventures on Ice Cream; there was nothing advertised on its website that seemed worth seeing. Fox wants to cash in on the Christian market, yet still does not have enough respect for Christian consumers to really break the piggy bank open.
– He mentions recently having been a bit disappointed by DECALOGUE 4, and mentions that he still has the DVD of 5-7. Oh. My. God. See them soon, Mr. Harold. Soon. I think 5 and 6 are the two best episodes — actually 6 and 5, but what the hey. In fact, DECALOGUE 6 has the distinction of being the only film I have ever watched twice in a single day, seeing it as part of seeing the whole DECALOGUE, all for the first time, in a theater on a single Saturday. I rushed home to pop my DVD into the player for a second viewing and having the same tear-filled reaction to the whole second half reversal as the non-couple meets and hearts and roles change.
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¹ Petty personal aside … I hate, hate, hate, HATE the growing practice of using the word “faith” as a substitute for “religion” or a specific religion. Its blandly ecumenical character manages to be both offensive in its calculated inoffensiveness and imperialistic bad labeling with respect to several major religions.
June 9, 2007 Posted by vjmorton | Uncategorized | Barbara Nicolosi, Blogroll, Catholic-culture, Christian ghetto, Krzysztof Kieslowski, Martin Harold, risqueness | Leave a Comment
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Reviews and thoughts about the films of the cinema from an American conservative whose favorite Austrian film artist is Michael Haneke rather than Arnold Schwarzenegger.
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My Twitter feed
- ... at that moment, Lloyd irises in to the girl's face, not the boy's #TCM #TheFreshman 1 hour ago
- When Harold swears after his dance-suit humiliation that he'll show everybody when he gets in The Big Game ... #TCM #TheFreshman 1 hour ago
- @paperlung @scottrenshaw awww ... I thought that meant they'd be remaking a ZZ Top hit 1 hour ago
- I forgot that Harold's character was nicknamed Speedy at college #TCM #TheFreshman 1 hour ago
- @faceyouhate @blankemon that's a useful rule for any of these Fauxtrage flaps 2 hours ago
- @msicism ladies don't use that kind of language #YouFailTheHashtag 2 hours ago
- first view of Harold in THE FRESHMAN is himself looking in the mirror; also he gets his fantasies from movies #TCM #TheFreshman 2 hours ago
- @FilmCriticElmo if only THE DAY THE CLOWN CRIED could have been released, Elmo might be as big as Ralph Fiennes today 3 hours ago
- so so jealous ... I can never again see SANSHO DAYU for the first time RT @labuzamovies: @rickcurnutte SANSHO in 35mm. Never seen it! 4 hours ago
- the Wikipedia page for THE COOK, THE THIEF, HIS WIFE AND HER LOVER calls it "a romantic crime drama" #IGuess #SameGenreAsOutOfSight 4 hours ago
- @thefilmcynic oh my ... even sight unseen, I at least knew ... what would happen, via pop-culture osmosis 4 hours ago
- @calummarsh ZOO was one of first films to try to produce the same reax and fail. (Nyman and Vierny are aces; the actors are not) @msicism 4 hours ago
- @calummarsh that is, while COOK was maybe the first film I ever watched over and over simply to revel in style elements, @msicism 4 hours ago
- @calummarsh as for ZOO itself, it reversed my reaction to the seminal (in my personal history) COOK THIEF @msicism 4 hours ago
- @calummarsh remind me to tell you about the screening of ZOO I went to ... it can't really fit into 140 (or even 420 or 560) chars. @msicism 4 hours ago
- @calummarsh that was 2nd Greenaway I saw. COOK THIEF was 1st and most of his 80s films were revived after its succes de scandale @msicism 4 hours ago
- @andrew_b_welch at this stage, do you have an approximate due date (I know you don't have a sex yet #Right?) 4 hours ago
- @paperlung @LCosgrove welcome to my world 4 hours ago
- @calummarsh would that be COOK THIEF, or one of his earlier films (the former was my #2 film for the 90s) @msicism 4 hours ago
- @andrew_b_welch congratulations!! 4 hours ago